Posts Tagged ‘photo

21
Jun
13

Looking back at recent NASCAR work

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I feel like these blog posts are getting too few and too far between. Like I’m failing at promoting myself or something.  All I can say is that I’ve been very busy shooting for Getty, XPB and the Associated Press as well as my ‘day’ job as photo editor for Motorsport.com…and I have a three-year-old. That should cover it for any excuses I could get away with.

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May started off busy with Darlington NASCAR and continued with two straight weekends of Charlotte NASCAR (All-Star race and Coca Cola 600). Then it was on to Montréal for F1 (that will be a separate blog post) then on to Michigan for more NASCAR.

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There is a certain familiarity now with NASCAR, which is both good and bad. You can easily fall victim to the same ole’ thing and being safe, but you can also use that familiarity to challenge yourself and do something different. I’m probably guilty of doing both.

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Working with the Getty crew(s) who show up every weekend is pretty fantastic. It’s an opportunity to learn (you never stop the learning process, or the inspiration process for that matter). It’s also an opportunity to look at everyone’s take that day and say, well, once again we kicked ass. The standards are high and we strive to meet them.

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I enjoy finding moments during a race. Because, admittedly it can get a little boring at times. Coach Joe Gibbs was inadvertently working it during the Bojangles Southern 500 at Darlington (in deep south S.C.).

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Then there are the super rare moments when you can isolate a driver for a clean image.

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And scene-setters.

ImageAnd working the garage…to me a great and fun challenge to make something totally different.

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Now I’m off to Pikes Peak on Monday for the hill climbing race. This will be my second time, and I’ll know what to expect, which should help. I’m both dreading and excited about the 3am call times (they practice every day from sun up to about 10am, because it’s a public road). The light is stunning at that time, and there’s something about being at that altitude (14,000 ft.) that changes things. Really looking forward to it.

Oh, and for the record the Coca Cola 600 is about 100 miles too long. Someone should look into that.

-RAE

http://www.rainier-ehrhardt.com

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28
Aug
11

departure from the Chronicle – part 1

As some of you know, I will be leaving the Augusta Chronicle in a few weeks.  No formal date has been set as of yet, mostly because my wife and I have the luxury of time during this transition.

My wife accepted (and has since started at) a job in Greenville, S.C. as a graphic designer for a company that makes educational material for special education teachers and students.  Her parents live there and the area is, no offense Augustans, what the CSRA should be.

When I leave, I will be a freelancer full-time, something I haven’t been since 2006.  At the time, I didn’t have the experience or (more importantly) the connections I have now.  It was a certain struggle back then, but somehow it led to bigger and better things (the Chronicle job, among others).  As of today, I don’t plan on being a freelancer for the rest of my working life.  That may change with success and/or time.

Being a newspaper photographer was the best job in the world.  I use ‘was’ because it will never be the same.  In the past let’s say 50 years, the field of photojournalism has evolved, sometimes by leaps and bounds (think digital cameras), but mostly at a relatively normal pace compared to the fields around it, including other newsroom jobs.  But the current economic climate and newspapers’ inability to capitalize on the Internet, photojournalism is not evolving as normal – taking new technology and ways of working in stride and adapting. No,  in reality, it’s going through a revolution…and no one, I guarantee it, can foresee in what shape it will be in when it comes out the other side. The difference between when I arrived here almost exactly 5 years ago and now is, no joke, night and day.  I can’t imagine what it’s like for people who’ve been in the business 10 years or 20.  It’s not even the same job anymore.

I titled this post ‘part 1’ because I plan on covering many facets of my time at the newspaper – things I’ve learned, things I’ve loved, things I’ve kinda hated.  And I’ll finish with what lies ahead.

I can start with stating two facts.

1 – I’ll miss the daily grind of newspaper work.  Getting up in the morning and not knowing what you’ll be up against, who you’ll meet, what you’ll get to do.  That excitement of grabbing your assignments and going out to make a picture.

2- I’ll miss the people I work with.  That common bond we journalists share called cynicism.  And we have a unique sense of humor, especially the photo dept. (everyone wants to hang with the cool kids, admit it.)

So. Off we go…

-RAE

http://www.rainier-ehrhardt.com

05
Jul
11

That Casey Anthony hoopla

While we were flipping through channels this evening, I paused on CNN for a minute to watch some lawyer spout off about the Casey Anthony verdict, and my wife turned to me and asked something I hadn’t considered yet.  “How did this whole Casey Anthony thing get so big?” she asked.  And that’s a really good question.  I don’t know.  It’s not like she’s a famous football player/actor or something.  She’s middle America.  Unfortunately murder cases come up all the time in this country and they barely get noticed outside their city or state. Where did all this media attention come from?

Of course, when I heard that a verdict had been reached and that it would be read at 2:15p.m. EST, I wasn’t going to pass up the opportunity to add to that media attention.  So I hurried down to Nacho Mama’s with an idea.  I had just been there for lunch that day and remembered that the TV was on in the kitchen (you can see the cooks from over the bar).  When I got there, I still had about 15 minutes to spare so I shot a few frames of the cook with CNN tuned in on the tele.  It was something, but not exactly what I wanted.  The TV was too small and it was difficult to get something that would read easily.  So I had another idea.  I hurried across the Savannah River to North Augusta in hopes that the WalMart would have a wall of televisions set to CNN or Fox News.  But as I made my way to the back of the store I realised my error.  I remembered that most big box stores don’t have cable on their TVs on demo.  Instead they have a loop that plays extraordinary action sequences like sky diving or rock climbing to show off the 1080p or i or whatever it is.  I confirmed with the electronics manager. No cable.  Bummer.

So I rushed back to Nacho Mama’s, know that the potential for a decent frame was there, I just needed to hope for a decent close up of Anthony as she cried or smiled or whatever.  By the time I got there, the verdict had been read but they were replaying her reaction over and over.  I basically reshot the same picture but with a more interesting image on the tube to give it more context.

Guess this is my little way of saying I was there.  For better or for worse.

Cooks Mike Goings, left, and Erik Starlings prepare food while watching the verdict in the Casey Anthony trial in the kitchen at Nacho Mama's, Tuesday, July 5, 2011, in Augusta, Ga. (AP Photo/The Augusta Chronicle, Rainier Ehrhardt)

-RAE

www.rainier-ehrhardt.com

 

 

21
Jun
11

Favorite Le Mans image

I began my photographic career as a motorsport photographer.  It was only a couple of years into it that I got bit by the photojournalism bug and jumped ship to tailor a portfolio suited to get a job as a newspaper shooter.

However, a few times a year I freelance for motorsport.com and Zuma Press at endurance sportscar races, most notably at the 24 Hours of Le Mans in France.  It’s always fun to return to my ‘roots’ so to speak and see old friends.  I’m back in my environment, I know what to do, and I’m comfortable.  Motorsports photography has everything: speed, obviously, but also people, colors, a need for a sense of timing.  At the end of the day, it’s a sporting event, and covering it does require a certain amount of photojournalism-ism.

So it’s obvious that as I’ve evolved as a pj, I’ve also evolved as a motorsports photog.  And when one of the Zuma editors asked me to shoot some behind the scenes/spectator stuff in order to give a variety other than sports photography, it added a new challenge to my coverage.

So as the race continued on and the sun started to get low on the horizon on Saturday evening, I took a few moments to leave track side and the paddock to join the spectators enjoying the fun.  It had been a long time since I’d been on the other side of the fence, looking at cars several yards away through reinforced fencing.  The view sucks, but the culture doesn’t.

I borrowed a 24mm 1.4 lens from Nikon France who were providing service for credentialed photographers on site.  This was the time to use the hell out of it.  The amazing thing about that lens, other than the insanely cool look that depth of field gives, is the incredibly rich colors and crispness it gives.  When it’s sharp it’s tack, and when the light’s flat, it’s contrasty beyond belief.  It’s the perfect photojournalism lens, period.  The lens’ biggest virtue is how it makes any boring scene look interesting because of the mood it sets.  There’s nothing like setting a mood with a photograph.

So, all that to say that my favorite image from an auto race contains no cars, no drivers, or racing personalities.  Not even an inch of track or tire barrier.  Instead, it’s a scene you could find at any county fair, or amusement park.  It’s more photojournalist than straight sports photographer.  Maybe I’ve evolved past that.  Maybe.

Or maybe it’s just the lens.

June 11, 2011 - Le Mans, France. A fan watches as a couple enjoy a carnival ride during the 24 Hours of Le Mans auto race.

 

And another just cuz.  It’s a photo blog afterall.

 

June 10, 2011 - Le Mans, France Audi Sport driver Tom Kristensen, center, of Denmark, during the 24 Hours of Le Mans drivers' parade.

-RAE

www.rainier-ehrhardt.com

 

30
May
11

Court reporters

Court reporters fascinate me.

I spend more than my fair share of time in courtrooms waiting to get a sub-par picture of a shackled suspect as they are whisked by me.  To pass the time, I often pay attention to the court reporter.

They are almost always women.  They have intense eyes as they pay attention with more fervor to what’s being said than I ever did on any math test.  But at the same time, the rest of her body usually seems to be doing something else, as if she’s painting her toenails under the desk.  And finally, they talk into that weird contraption.

What the hell are they saying into that thing?  Is it some kind of shorthand speak that only the computer recognises?  Is it a standardised language?  How different is it from what the lawyer in the cheap suit is actually saying?  How detailed is it really? Every word? Mostly the gist? Sometimes the back and forth gets pretty darn fast.

All these questions are thrust upon me every time I have to shoot an assignment in a courtroom.

On one recent trip (to the sparkling new courthouse so I was excited), one of the cases before the one I had to shoot related to an assistant band teacher, HIV positive mind you, who was accused of have sex with one of his students.  Now this was just the bond hearing, but a lot of gruesome details were brought up by the young prosecutor that this poor court reporter had to transcribe in detail.  While most of the court was shaking their heads softly and some were mumbling words of astonishment, this lady was hard at work, never flinching.  Clearly she had heard this type of story a million times before. Fellatio, sodomy – somehow the use of clinical, sterile words in context makes it worse.

Which begs the question, at what point does it get normal?  This was a question I routinely asked when I used to do a feature on local dirty jobs called Grime Pays.  At what point do you forget you’re waist deep in raw sewage?  Or when do you stop noticing the smell in your clothes after a day of picking up roadkill?  The answer was almost always very quickly.  Partly because your senses get dulled from routine exposure, and partly because the mind is quite a powerful thing.  If it’s thrust into a particularly unpleasant situation, it will turn things off in order to survive, or at least in this case to make life relatively bearable while spraying down used port-o-potties.

At any rate, here’s a picture of that particular court reporter hard at work.  Looking at the photo now, it kind of seems like a lonely job.  Just you, your short-term memory and the mic thing.

-RAE

www.rainier-ehrhardt.com

 

10
May
11

Masters best ofs and outtakes

My 2011 Masters Golf Tournament reedited slightly.  After a week of shooting golf I seem to have needed exactly a month in order to stomach looking at them again.

I’ve experienced five Masters now.  In many ways they’ve all been different, but they’ve also been the same.  After five years, your ‘fresh’ eyes have all but disappeared.  You know what works and what doesn’t and you’re subconsciously editing yourself in order to save time and (most often) energy.  My theory is that your second Masters is your best.  You’re still fresh and excited from your first time, but now you’re more familiar with your surroundings so you’re not hindered by logistics so to speak.

At any rate, here they are!  How about in chronological order so we don’t play favorites.

Thanks for looking as always,

-RAE

www.rainier-ehrhardt.com

Patrons walk across an expanse of grass during Monday's practice round for the Masters Golf Tournament at the Augusta National Golf Club, Monday, April 4, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Martin Kaymer zips up his jacket as he walks on No. 13 during Tuesday's practice round at the Augusta National, Tuesday, April 5, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Honorary starters Jand Nicklaus and Arnold Palmer with chairman Billy Payne after teeing off on the first tee to open Thursday's first round of the Masters Golf Tournament at Augusta National, Thursday, April 7, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Tiger Woods reacts to missing a birdie putt on No. 10 during Thursday's first round of the Masters Golf Tournament at Augusta National, Thursday, April 7, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Charl Schwartzel walks along sixteen during Saturday's third round of the Masters Golf Tournament at Augusta National, Saturday, April 9, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Rory McIlroy on 18 during Saturday's third round of the Masters Golf Tournament at Augusta National, Saturday, April 9, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Tiger Woods eagle on number 8 during Sunday's final round of the Masters Golf Tournament at Augusta National, Sunday, April 10, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Charl Schwartzel, right, and K.J. Choi after Schwartzel's eagle on number 3 during Sunday's final round of the Masters Golf Tournament at Augusta National, Sunday, April 10, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Charl Schwartzel, of South Africa, reacts after making birdie on No. 16 during Sunday's final round of the Masters Golf Tournament at Augusta National, Sunday, April 10, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Charl Schwartzel, of South Africa, reacts after making birdie on No. 18 to win during Sunday's final round of the Masters Golf Tournament at Augusta National, Sunday, April 10, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

Tiger Woods walks along the water on No. 16 during Sunday's final round for the Masters Golf Tournament at the Augusta National Golf Club, Sunday, April 10, 2011, in Augusta, Ga. Rainier Ehrhardt/Staff

22
Mar
11

Sebring

No matter how hard I try to fight it, I’m a motorsports photographer at heart.  Always have been, always will be.  Sure I work at a newspaper to pay the bills, but in a perfect world I’d be out shooting cars and the people who make them go.

Last weekend was the 59th Sebring 12 Hours in Sebring, Florida.  It’s run on an old WWII airfield using two cement runways connected by 11 or so corners paved sometime in the 50s.  To say that it’s bumpy is an understatement, and I’m convinced it’s (only) 12 hours and not 24, like its Le Mans counterpart, because of how grueling it really is.  It’s always been said that if a team, driver, car can make it at Sebring, it can make it at Le Mans.

Below are a few of my favorite images from the weekend.  Oddly enough, the French team I translate press releases for won the whole thing.  Their first overall victory at Sebring and it was great fun to see them celebrate so much.

This year, I was big into using other people’s flashes to my advantage.  We were also lucky enough to get the famous sunset on the front straight.  And since we were two photographers for Motorsport.com, it gave me the freedom to do something different rather than play it safe.  I think this might be my best take from a race so far in my 11 year motorsport career.  Enjoy.

Over 190 American Le Mans Series drivers pose for a photoshoot before the 12 Hours of Sebring, Tuesday, March 15, 2011, in Sebring, Florida.

Oreca driver NICOLAS LAPIERRE drives the Peugeot 908 during practice for the 12 Hours of Sebring, Thursday, March 17, 2011, in Sebring, Florida.

Rebellion Toyota Racing driver NICOLAS PROST looks on during testing for the 12 Hours of Sebring, Monday, March 14, 2011, in Sebring, Florida.

Corvette driver JAN MAGNUSSEN, of Denmark, looks on during practice for the 12 Hours of Sebring, Thursday, March 17, 2011, in Sebring, Florida.

BMW Motorsport BMW M3 GT: ANDY PRIAULX, DIRK MULLER, JOEY HAND during night practice for the 12 Hours of Sebring, Thursday, March 17, 2011, in Sebring, Florida.

Audi Sport driver MIKE ROCKENFELLER, of Germany, drives the R15 Plus during night practice for the 12 Hours of Sebring, Thursday, March 17, 2011, in Sebring, Florida.

Mar 18, 2011 - Sebring, Florida, U.S. Patron Ferrari driver DOMINIK FARNBACHER, of Germany, poses with a drawing of his F458 during an autograph session for the 12 Hours of Sebring.

Mar 19, 2011 - Sebring, Florida, U.S. Peugeot driver ANTHONY DAVIDSON, of England, drives the 908 during warmup for the 12 Hours of Sebring.

The infamous cracks in the cement during testing for the 12 Hours of Sebring, Monday, March 14, 2011, in Sebring, Florida.

Oreca driver NICOLAS LAPIERRE, of France, drives the Peugeot 908 during night practice for the 12 Hours of Sebring, Thursday, March 17, 2011, in Sebring, Florida.

Mar 19, 2011 - Sebring, Florida, U.S. Peugeot driver FRANCK MONTAGNY, of France, leads the field at the start of the 12 Hours of Sebring.

Peugeot driver PEDRO LAMY, of Portugal, waits during practice for the 12 Hours of Sebring, Thursday, March 17, 2011, in Sebring, Florida.

Mar 19, 2011 - Sebring, Florida, U.S. The sun sets on the front straight during the 12 Hours of Sebring.

Mar 19, 2011 - Sebring, Florida, U.S. Oreca Peugeot driver LOIC DUVAL, of France, waits for the team's final pit stop during the 12 Hours of Sebring.

From left, Oreca technical director DAVID FLOURY, team principal HUGUES DE CHAUNAC, and driver OLIVIER PANIS, celebrate after winning the 12 Hours of Sebring.

Mar 19, 2011 - Sebring, Florida, U.S. Oreca Peugeot driver LOIC DUVAL is carried away from his car after winning the 12 Hours of Sebring.

Mar 19, 2011 - Sebring, Florida, U.S. Overall winners, from left, NICOLAS LAPIERRE, team principal HUGUES DE CHAUNAC, OLIVIER PANIS and LOIC DUVAL celebrate during podium celebrations at the 12 Hours of Sebring.

-RAE

www.rainier-ehrhardt.com